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zaterdag 31 december 2011

The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)

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The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)

The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)
The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)

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The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)

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The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)

Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Introductory * The Medium * The Nature of the Building Stones * Harmony * Melody * Analyses.../ The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159) / POP MUSIC THEORY


The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)

  • Published by Schott 225 Pages
  • Theoretical Part - Book 1 by Paul Hindemith
  • Composer: Paul Hindemith
.../ The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159) / POP MUSIC THEORY


The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)
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An excellent book for anyone serious about composition! : The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)


This is a very interesting document by an important composer of the twentieth century. It provides his views on an approach to music that goes beyond the traditional theory of music through the common practice period. He goes into some theories on intervals, acoustics, and much more. This is NOT a book that will give you a grounding in the kind of music theory (actually music grammar education) that is given to freshman and sophomores at music schools.

As some of my fellow theory students noted, this is a great method to learn to compose like Hindemith, but who wants to do that anymore? Well, we want to learn more about him and his music, and this remains one of his principle statement of his musical approach. This is not for beginners and will likely be opaque to the general reader.


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