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dinsdag 10 januari 2012

Israel Kamakawiwo'ole's Facing Future (33 1/3 series)

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Israel Kamakawiwo'ole's Facing Future (33 1/3 series)

Israel Kamakawiwo'ole's Facing Future (33 1/3 series)
Israel Kamakawiwo'ole's Facing Future (33 1/3 series)

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Israel Kamakawiwo'ole's Facing Future (33 1/3 series)

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Israel Kamakawiwo'ole's Facing Future (33 1/3 series)

Even at four in the morning, the strip clubs and watering holes surrounding the downtown Honolulu studio were still hopping. The recording engineer heard a car pull into the lot, and soon the biggest man he had ever seen walked through the door. Six foot three, 500 pounds, the guy looked like a house carrying an 'ukulele. When he stepped into the studio, the floated floor shifted unnervingly beneath the engineer's feet. Israel Kamakawiwo'ole engulfed the engineer's hand in his and said, "Hi, bruddah."

The product of that impromptu late-night recording session, a delicate medley of "Somewhere Over the Rainbow" and "What a Wonderful World," has driven sales of 1993's Facing Future to nearly two million copies. Each time the medley is licensed to appear in advertisements, in movies, even on American Idol, Mainlanders embrace it anew as a touch of the unfamiliar in their otherwise staid record collections. But in Hawai'i, a state struggling like no other with the responsibility of its native heritage, Facing Future is much more. Gaining unprecedented access to Israel's family, friends, bandmates, lawyer, and label, Dan Kois tells the remarkable story of Bruddah Iz and the album that changed his life--and his death..../ Israel Kamakawiwo'ole's Facing Future (33 1/3 series) / POP MUSIC THEORY


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Customer Review :

A very satisfying read : Israel Kamakawiwo'ole's Facing Future (33 1/3 series)


I so enjoyed this book. I knew little about Israel Kamakawiwo'ole, or Hawaii for that matter, before I started reading, and I've learned so much since. The author does more than merely tell a story about how Iz accomplished all that he did, but also considers why Iz played, who profited from his success, and who was left behind, giving various perspectives on a subject obviously controversial and sensitive to Hawaiians.

It's a fascinating read, even for those who aren't already fans of Iz or his work.


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